She sees design as an answer to a need. A need that is not only limited to a functionality, to production parameters or sales criteria, but that is also inspired by everything related to emotion, to memory and therefore to the affective.
According to this conception, design is a wellness tool, based on the observation and analysis of the world around us. Her objects therefore meet imperatives that are not only functional and aesthetic but also emotional, sociological, fun, poetic, economic and ecological. They must finally offer food for thought, by suggesting, for example, new consumption habits.
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